damir radovic
Boarding Flag
Neon Lights on Skateboard decks
2017
Neon Lights on Skateboard decks
2017
Dazibao I, II, III, IV
Collage, Mixed Media on skateboard decks
2017
Artist Damir Radovic’s work is both a question of balance, as well as a tool for understanding reality. As the spectator views his work and is drawn into the artist’s scheme, he/she will experience the delicate balance between contradictory forces; between the perception of the eye, and of the heart.
Collage, Mixed Media on skateboard decks
2017
Artist Damir Radovic’s work is both a question of balance, as well as a tool for understanding reality. As the spectator views his work and is drawn into the artist’s scheme, he/she will experience the delicate balance between contradictory forces; between the perception of the eye, and of the heart.
About the artist
Damir Radović (b.1976) is Bosnian-French artist, based in Paris.
He spent his youth in Sarajevo, where he lived before the war in Bosnia and Herzegovina.
Damir Radović's work draws from those fluctuating patterns that make up identity and memory, often involving graphic symbols, places references and maps, fragments from popular culture and mysterious messages. It develops a work of drawing, video and installation using codes , patterns in the collective consciousness , he turns to recreate a new world history and globalization .
HIs work is both a question of balance and a tool for understanding reality.
A very delicate balance, silently worked by the interplay of contradictory forces, at the point of dispersal. Everything is a question of immersion within scheme; an alliance between visual matter and subtle moods.
Images of the everyday set into space like so many motifs of a monumental composition. His drawings are haunted by all these elements that disrupt the senses, plunge them into experience, caress and play with disappearance to cede their position. Through installation, drawing and video Damir’s work consists of capturing the real, in its’ cultural and social aspects, in archetypal, generic or carnivalesque form that examine the modes of historical and contemporary representation.
He spent his youth in Sarajevo, where he lived before the war in Bosnia and Herzegovina.
Damir Radović's work draws from those fluctuating patterns that make up identity and memory, often involving graphic symbols, places references and maps, fragments from popular culture and mysterious messages. It develops a work of drawing, video and installation using codes , patterns in the collective consciousness , he turns to recreate a new world history and globalization .
HIs work is both a question of balance and a tool for understanding reality.
A very delicate balance, silently worked by the interplay of contradictory forces, at the point of dispersal. Everything is a question of immersion within scheme; an alliance between visual matter and subtle moods.
Images of the everyday set into space like so many motifs of a monumental composition. His drawings are haunted by all these elements that disrupt the senses, plunge them into experience, caress and play with disappearance to cede their position. Through installation, drawing and video Damir’s work consists of capturing the real, in its’ cultural and social aspects, in archetypal, generic or carnivalesque form that examine the modes of historical and contemporary representation.